juushika: A black and white photo of an ink pen. (Writing)
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Please help me, I am forever so behind on these, & what I do not record I will forget forever.


Time of Eve, anime, 2010
This has an ideal runtime and microformat. The individual vignettes aren't particularly in-depth exploration of speculative concepts/worldbuilding/the laws of robotics; they're equally fueled by pathos and the human condition, so the short episode length gives room to develop those things without allowing them to grow maudlin—a good emotional balance. The effect is cumulative—not especially cleverly so, it's pretty straightforward "interwoven ensemble with overarching character growth," but it's satisfying. I wish this pushed its speculative/robotics elements further, but, frankly, I'm satisfied with the whole thing, it's engaging and evocative and sweet and I sure do like androids.

A Series of Unfortunate Events, season 1, 2017
I'm surprised to find I enjoyed this more than the book series—and I didn't love the books, but didn't expect them to improve upon adaptation. The weakness of the books is how much depends on the meta-narrative and how little of that there actually is; rewriting it with a better idea of what that narrative will be, and with more outside PoVs, makes it more substantial and creates a better overarching flow. The humor is great, the set design is great, it feels faithful without merely reiterating, a condensed "best of" the atmosphere and themes; a sincere and pleasant surprise. I'm only sad that the second season isn't out yet, because the Quagmire Triplets were always my favorites.

The Great British Bake Off, series 6, 2015
They finally got rid of the awful, belabored pause before weekly reveals! That was the only thing I ever hated about this series, and I'm glad to see it go. This is a weird season: weekly performances are irregular and inconsistent and vaguely underwhelming; the finale is superb. It makes me feel validated in my doubts re: whether the challenges and judging metrics actually reflect the contestants's skills, but whatever: it has solid payoff and this is as charming and pure as ever. What a delightful show.

Arrival, film, 2016, dir. Denis Villeneuve
50% "gosh, the alien/language concept design is good"; 50% "I really just want to read the short story" (so I immediately put the collection on hold). Short fiction adapts so well to film length that it makes me wonder why we insist on adapting novels: the pacing is just right, the speculative and plot elements are just deep enough to thoroughly explore, there's no feeling of being rushed or abridged or shallow. What makes this worthwhile as a film is some of the imagery, alien design (the language really is fantastic), and viewer preconceptions re: flashbacks as narrative device; it's awfully white and straight and boring as a romance, though—underwhelming characters with no particular chemistry, although I like Amy Adams's pale restraint. If I sound critical, I'm not; I thought this was a satisfying as a 2-hour experience.

Interstellar, film, 2014, dir. Christopher Nolan
I have a lot of feelings, and most of them are terror: wormholes! black holes! water planet! time as a dimension! space, just as a thing in general!—I find all this terrifying, in a fascinated by authentically panicky way. The imagery and plot does a solid job of making these concepts comprehensible and still vast (save perhaps for the fourth+ dimension—the imagery there almost works, but it's so emotionally-laden and interpersonal as to, ironically, make it feel localized, small). But Blight-as-worldbuilding is shallow, and a lot of the human element is oppressive and obvious, which deadens things; I wish more of it were on the scale of Dr. Brand's love or the effects of relativity: private motivations for the characters, sincere and intense but with limited effect on the setting or plot. But as a speculative narrative, one within the realm of the plausible but intentionally alien, distant, and awe-inspiring, this is effectively the space version of the disaster porn in a disaster flick—space porn, is that a thing? It's captivating in a nightmareish way, which, I suppose, is exactly what I wanted.

Legend, complete series, 1995
One of Devon's childhood shows, which he got as a birthday present, so we watched it together. It's honestly not as awful as I expected. The frontier setting is less idealized or racist than it could be, but still has a great atmosphere; the character dynamics are hammy but sincerely endearing; the mystery plots are episodic but decently written. Not a new favorite, shows its age, and the mix of tone and science fantasy Western makes it understandably niche, but it exceeded expectations.
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