Sep. 19th, 2011

juushika: Drawing of a sleeping orange cat (I should have been born a cat)
Yesterday evening I began planning out my calendar as far as the beginning of November. Who am I, and what have I become? I'm a person with a calendar, and substantial plans—because while it's not as full as I would like with local events, it does have entire weeks given over to events like "Jessica in San Francisco." Have I mentioned these plans yet? October 7 through 14 I'll be in San Francisco, meeting Express for the first time. We've been friends for approximately forever (five years, I think) but never met. This is an overnight train journey and a landmark event. That trip is now soon enough that I have to begin preparing for it, which is only mildly terrifying. (Express has been busy with work and I've been distracted with my own issues, or else we'd be at incredibly terrifying by now.) I need a cell phone with a working battery, and a second piece of luggage so that I can haul down half my bedding. The pragmatic minutiae makes it seem much more real.

The kitten has taken to pawing my face when waiting for food. It's the floofiest gentle little poke, and it's adorable, and she still has to wait until six. She also walks on my keyboard, and bites my hand, and cheek-rubs my nose. My kitty is cuter than your kitty, and I don't care whether you have one. When our weather changed overnight, August became the cuddliest of cats, thrilled to see me lay down and happiest at bedtime, all for a chance at warm snuggles. Last night she fell asleep tucked into the crook of my arm and under my blanket, so warm that she stretched from a little round into a longcat, so deep asleep that her paws began to twitch.

I have these moments when I seem to snap out of the reality of my life and see it as if from the outside in; moments when, converse to the distance I find myself with, my life seems so real and it raw that it hurts. I usually find it difficult to see anything at a distance, to comprehend trends or big pictures; recognizing all of that is surreal and terrifying. I do this with Devon. He gets a short shrift, because I so often see only the limitations and sins of the present—but in those moments I can see the entire span of our relationship, and I almost drown in all those years. I find I do this with August, now. She has become a part of my daily life, my black shadow, my pain in the butt, and much of the novelty and constant awareness that I have a cat! has subsided. But then I snap out, step back, and see with painful clarity the fact that my life has changed, and that I love her the way I love the person I love best. I may be complacent about the risk, but I can still drown.

Devon and I have been experimenting with French toast when he visits, ever since he made me breakfast in bed on a whim (my whim: the request for French toast; his whim: to fulfill it, even if I was still sleeping). Two weeks ago, we burnt sugar (the first attempt failed, but the house smelled quite lovely afterward) and topped French toast with caramelized bananas and pecans. The chewy bread, gushy bananas, and crunchy nuts were a fantastic combination, and cooked bananas are so decadent that you want nothing to do with French toast for some days. A few days ago, we made peanut butter stuffed apple French toast (variations from recipe: Italian bread, thinner cut, so that the finished product wasn't quite so overwhelming; future variations from recipe: thicker apple slices finished on a higher heat for more body and caramelization). The combination was classic, delightfully salty/sweet, and decadent—I'm sold on stuffed French toast, now. Future experiments will include pumpkin French toast (as in, with pumpkin bread—and potentially stuffed with cream cheese), and peanut butter/banana stuffed French toast. Anyone with any other ideas, I would love to have them. If you're hungry now, I'm sorry. So am I.

On the other hand, the first thing I saw this morning was Netflix's circumspect Qwikster announcement, via an email from Reed Hastings, Co-Founder and CEO of Netflix, which began, "Dear Jessica, I messed up. I owe you an explanation." Putting aside the incredible stupidity of this move (and the name—Quikster, seriously?) to focus on the wildly inappropriate tone of the email: It turns out there are few things as triggering to my sleep-addled brain as the combination of Reed* and a personal, conciliatory tone. I wasn't sure if it was more insurance application information or just another college nightmare, but whatever it was my brain hated it so thanks for that, Netflix. (Yes, insurance applications are still unfinished. Yes, I am grateful for the comments and support. No, I have no spoons to discuss it.)

No rhyme or reason to any of this, I guess. Above insurance business combined with a short visit with Devon and no visit with Lyz et al. (this is not passive aggression! I totally understand. I can still be bummed, though) means that I'm still a little out of it, halfway escapist, somewhat quiet and distracted. On the other hand there is an essential rightness all around me—gray skies, a bed that smells of Boomslang, a floofy cat. It always surprises me when I find more to say about that latter, about the good—and that, I think, is reason enough to say it.

* Reed College was my second college, and I loved it there but also dropped out of school there because of my mental health; I continue to have college nightmares and phobias to this day, four years later.
juushika: A black and white photo of an ink pen (Writing)
Title: The Last Werewolf
Author: Glen Duncan
Published: New York: Alfred A. Knopf, 2011
Rating: 2 of 5
Page Count: 293
Total Page Count: 108,841
Text Number: 315
Read Because: recommended by [livejournal.com profile] pgtremblay, borrowed from the Corvallis library
Review: Werewolves are being hunted to extinction, and Jake Marlowe—the last of them—is too mired in century-old ennui to care. But the machinations surrounding the fate of his species refuse to let him go quietly into oblivion, forcing Jake into thriller-suspense plots and an unwanted desire to survive. The Last Werewolf is a dynamic, high-octane thriller and a pretentious existential crisis, but fails to be an ideal combination of entertainment and thought. The entertainment is there, almost to excess: werewolf existence is an orgy of sex and violence, and the plot rockets forward with more momentum than direction (leaving unanswered questions in its wake), but for better and worse the book is too willing to mock its noir/thriller leanings—and that pretentious self-deprecation smothers some of the fun. Marlowe's longevity and existential ennui is rendered in a handful of literary quotations, introsepective confessions, and even more self-deprecation; it never quite sells his age, and his suffering has potential but never surpasses Interview with the Vampire-esque confessional angst. (Marlowe's journal is a nice attempt at narrative justification, but grows unconvincing—why would Marlowe risk giving away his secret plots by committing them to paper?) It's all perfectly readable, occasionally even addicting, and has energy to spare; the world-building is far from revelatory (beyond their voracious appetites the werewolves are fairly indistinct, and there's even an obligatory werewolf/vampire rivalry), but a testosterone-soaked more animal than animal interpretation of werewolves has potential. But The Last Werewolf fails to shine.

It does, however, manage to be sexist. Sex-fueled, jaded, and coarse, the sexism is natural and intentional, but it's still inexcusable. Women appear one at a time, defined by their sex appeal and interactions with men, and are referred to and even summed up by their genitalia: "'Her cunt's got a mind. It knows you. Everything about you. Like Lucifer. God is omniscent but he can't separate out the useful knowledge. You know? He can't distinguish. For that you need the Devil or her cunt'" (133). It's meant to be brutal and shocking, but comes off only as banal. The Last Werewolf isn't entirely a lost cause: I'd be interested in other, better, takes on a hyper-vivacious werewolf, and if it were more than a tired obsession with genitalia and objectification I could easily enjoy the tone of gleeful crudity. But any pleasure I took in this book was tainted, and I can't recommend it. Spend your time elsewhere, and consider Toby Barlow's Sharp Teeth as an alternative, if less extreme, raw-meat werewolf book.

Review posted here on Amazon.com. (Will update when the review goes live.)

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