Jan. 13th, 2011

juushika: A black and white photo of an ink pen (Writing)
Title: Solaris
Author: Stanislaw Lem
Translators: Joanna Kilmartin and Steve Cox
Published: San Diego: Harvest (Harcourt, Inc.), 2002 (1961)
Rating: 4 of 5
Page Count: 204
Total Page Count: 96,411
Text Number: 277
Read Because: interested in the book having seen the 2002 film, borrowed from [livejournal.com profile] century_eyes
Review: Psychologist Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface and finds the space station in decay. He and the rest of the small crew are haunted by inexplicably real figures from their past, disrupting their work and lives and calling into question everything they think they know about the planet. Solaris is plagued by clunky delivery—and while this isn't the most important aspect of the book, it's often its most visible. Exposition comes in isolated and unrealistically delivered infodumps as Kelvin leafs through and summarizes convenient historical and scientific texts about the planet—and while the content is interesting and adds depth to the story, the delivery adds nothing and makes it all too tempting to skim these sections. The writing style is universally stunted by overly precise word choice, which rather than intensifying the language tends to make it read like technical writing. (And, as always with books translation, I don't know where to place the blame for that.) These issues make Solaris dry, distant, and somewhat inaccessible; they also stunt the emotional landscape—but thankfully not too severely, because this is an emotionally intense book and that's one of its greatest strengths. Solaris places faulted, unpleasant people in contrived and uncomfortable situations, and documents the fallout with an unflinching eye; while characterization occasionally falls through, sending emotional motivation into wild ricochet and reducing characters to caricatures, more often than not the results are painfully, uncomfortably, tellingly human. The atmosphere meanwhile is distinctly alien, and it does a beautiful job of building that contrived, high-pressure setting. In fact, whenever Solaris does get around to present time and place—and plot—it's a compelling book. It's blunt in theme, but those themes are unusual and fascinating, and so the transparent metaphysical musings are more welcome than not—and the setting, characters, and events influenced by them make for great reading.

And so this is a book with problems, but still one worth picking up. It's a work of content without style, ambitious and refreshingly unique but cramped by clunky delivery, and while it has the potential to be great it's too often simply offputting. I come away liking it—very much, actually, because I don't see this sort of book every day and I appreciate what it tries to be. It feels longer than its 200 pages, there's some brilliance here, and it's surprisingly effective when it does succeed. But I recommend it with reservation: Solaris requires forgiveness and patience (fans of hard sci-fi may perhaps take better to its dry exposition), and even at its best its discomforting content means that it's never a joyful read—but it is a worthwhile one.

Review posted here on Amazon.com.
juushika: A black and white photo of an ink pen (Writing)
Cleaning up my overgrown notes document, I found a few more of these. So here we go: reviews of two manga and two BL manga. If you've added me since the last time I did one of these, surprise! sometimes I review porn.

Title: Kimi ni Shika Kikoenai (Nobody Can Hear Me but You)
Author: Otsuichi
Illustrator: Kiyohara Hiro
Length: 1 volume, 4 chapters
Rating: 4+ of 5
Timid, social-misfit Ryo is so isolated that she doesn't even own a cellphone. In her loneliness she dreams up the perfect cellphone, but one day her fantasy seems to become reality—her imaginary phone rings. Kimi ni Shika Kikoenai is, in a word, beautiful. It's brief, and sometimes lacks complexity, but these critiques are minor in scope of the story's gentle, melancholy beauty. A unique and surprisingly smart plot, lovely character interactions, and a strong conclusion make for an absorbing, emotionally-driven story; the art is clean and deceptively simple, adding to the atmosphere of subdued authenticity. Although imperfect, this is a story to remain in the memory and the heart. I recommend it.

Title: Goth
Author: Otsuichi
Illustrator: Ooiwa Kenji
Length: 1 volume, 5 chapters
Rating: 4 of 5
Classmates Kamiyama Itsuki and Morino Yoru become friends through their shared, unusual fascination with death, a fascination which allows them to solve murder cases which occur around them. But Kamiyama has no interest in bringing these murderers to justice—instead, his only desire is to discover the perfect way for Morino to die. Despite its title, slight unrefinement, and the fact that it could easily slip into either cheap horror or Addams Family-styled humor, Goth is deadpan, morbid, and unexpectedly subdued. The plot sometimes leave subtlety to be desired, but the unusual characters are wonderful (I cannot overstate my love of the protagonist) and the deceptively simple art, a perfect companion to Otsuichi's stories, sets the tone and hides some secrets. Visual violence balances psychological intensity to make Goth an intriguing and surprisingly intelligent volume which, despite its faults, captures the imagination. Recommended.

+2 BL reviews. )
juushika: Drawing of a sleeping orange cat (I should have been born a cat)
Because, you know, I just don't review nearly enough stuff, I think I'll start jotting down little reviews for chocolate bars. I'm by no means an expert, but I am a chocolate addict and my tastes are growing more discerning. I have a no-exceptions bias for dark chocolate, 65% cocoa content or higher, and I prefer organic, free trade, and single origin products when possible; I dislike fruit (with the exception of orange) and most mint flavorings and inclusions. Expect those biases to be reflected in my reviews. This ain't chocolate for everyone. It's chocolate for me.

Brand: Theo
Flavor: Bread & Chocolate
Cocoa content: 70%
Review: French bread in my chocolate? I wouldn't have guessed, but: yes please! This is surprising and unusual, and a wonderful combination of contrasting textures and flavors. The base is a mild chocolate—70% is dark, but not very dark—which is distinctly sweet without being sugary and has a smooth, light, non-waxy mouthfeel. The French bread is very thin and crisp, and so while it resembles puffed grain inclusions in other chocolates it's actually quite different: it has more weight and body without being heavy or dense, and provides a more slightly more substantial spin on that familiar crunch. The bread is salted, giving salty, savory contrast to the chocolate's sweetness, and the chocolate is quality enough to support the addition but mild enough not to fight it. The feel of biting into this chocolate quickly becomes addicting, the flavor is satisfying complex, and it's palatable and easy to eat without being reduced to sickly sugars and creams. I'm absolutely won over, and will buy this again.
juushika: Photograph of a row of books on a library shelf (Books Once More)
While I'm spamming flists and all, I might as well post this. When we came back from the cruise, Devon's parents had put bookshelves in our room. That there were not bookshelves already may be a surprise, because books are What I Do—but my books have been living on a small table for some time now. Even though my library is mostly scattered and boxed up right now, my on hand collection was still growing into dangerous teetering towers, so the bookshelves are welcome. We still haven't figured out how to use the second, so it's mostly idle storage for now—but my shelf is all loaded and shiny.

Now that we finally have a bookshelf...
It looks like this.

As usual, click through for notes of what's what and for a closer view. Play find the Kiernan and spot the manga! I'm not enamored with these shelves, although they really aren't all that bad; I am pretty pleased with the fact that removing the next book I want to read no longer leads to an avalanche. So, yeah. A bookshelf: I have one.

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