New Worlds: Suburban Sprawl

May. 1st, 2026 08:06 am
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[personal profile] swan_tower
Suburbs are such a characteristic feature of the twentieth century, especially here in the United States, that you'd be forgiven for assuming they're a wholly modern phenomenon. In fact, the general concept of "not quite in the city, but very much associated with it" is very old; it's just the scale and to some extent the organization of it that changes.

And it isn't hard to see why. Cities are, by nature, going to be noisier, smellier, and more crowded than the countryside; because of that, it's practically a universal law that rich people will want to get away from them -- but not too far away. They'll maintain villas or equivalent just outside the city walls, within easy distance so they can go in for an afternoon or a day, then retire to more comfortable surroundings at night. They get all the economic and political benefits of being close to where the action is, without subjecting themselves to too many of the downsides.

Living outside the city isn't only for the rich, though. Most pre-modern cities are going to have vegetable gardens and/or dairy farms outside their walls, which means they'll probably also have the houses of the people tending those gardens and farms, and it isn't uncommon for those to nucleate slightly into villages. After all, you don't want to have to walk into the city for everything; much more convenient to have your parish church and local alehouse (or regional equivalents) closer at hand.

These things don't form evenly. If you look at early modern maps -- which are usually the first point at which we can see anything like accurate visual representation -- they very much tend to string out along the major roads leading to and from the city. That's because they also serve the function of catering to travelers, who might prefer to lodge just outside the city rather than in its (noisy, smelly, crowded) heart. Or the outskirts are where those travelers leave their horses and carriages, rather than trying to wrangle such things in tighter confines. Or they pause to eat and freshen up, then continue on in. The city winds up looking like an octopus, with legs stretching in all directions.

But that's the thin end of the suburban wedge -- the sort of thing called a fauborg in French, with the English "fore-town" being a less common equivalent. (A "suburb" is "below the city," and reflects the tendency to build fortified towns on hilltops, meaning that their outlying settlements are literally below them.) So long as urban populations remain small, so will their penumbra.

As soon as something causes the city to boom, though, it's going to have growing pains. Maybe the capital shifts there, or a war causes refugees to flood in, or famine and economic disaster hit the countryside, or industrialization creates a huge new demand for labor. Suddenly you have a lot more people, and the very pressing question of where to put them. Are existing sites in the city sufficient to take in these people? And even if the answer is "yes," will they? Especially if the influx consists of refugees and penniless migrants, local establishments may not want to rent to them, or local government may forbid them to settle within the city's bounds.

Since those people still want to be in or near the city, though, they're going to crowd as close as they can get -- and I do mean crowd. The kind of shanty town that springs up in these circumstances usually has an insanely high population density, not least because the kind of people shoved out to the margins don't have a lot of money to spend on construction. The buildings may barely even merit the name, being a conglomeration of tents, lean-tos, and whatever makeshift materials can be pressed into service, or shoddy walls and roofs thrown up in a hurry that may come down even faster. There's little to no infrastructure, and because these places are frequently outside the official authority of the city, there's little to no governance. Disease and crime are extremely high -- but the people who live there can't just afford to pack up and go somewhere else. They have no choice but to cope.

Until, of course, something else intervenes. Quite frequently that is fire: all it takes is one spark and a place like this is liable to go up in flames. Then, since the people who lived there almost certainly have no legal title to the land, it's easy for someone else to snap that up, or for whoever owned it in the first place to seize their chance to evict everyone en masse. The area is unlikely to revert to green field pastoralism, though, because by now you're no longer looking at a modest little city supplied by its neighboring vegetable gardens. If the settlement has grown enough to have this kind of extramural slum, odds are very good that it will also grow straight into the space left behind: gentrification by fire.

Throw all of these factors into a pot together, and you get the process by which a city grows. I used the term "extramural" there very deliberately, because in any society without efficient artillery or equivalent, most cities are going to be walled, and these elite houses, neighboring villages, and suburban slums are outside that line. But walls aren't a one-and-done affair; new ones may be built farther out, with or without demolishing the older version first. If you look at the historical geography of Constantinople, you'll find a steady march up the peninsula on which the city sits, with the Severan Wall enclosing a modest area, the Constantinian Wall significantly farther out, and the famous Theodosian Walls farther still. You can track the growth of the city by how much later rulers felt needed to be protected.

Or cities can grow without moving their walls. London and Westminster were separate settlements about two miles (three kilometers) apart, but a lot of business was in London while much of the work of government was in Westminster. When an enterprising earl received a chunk of the land between them in the mid-sixteenth century, he deliberately constructed a fashionable area -- now Covent Garden Square -- to attract the kind of rich tenants who might be regularly visiting both places. It was the prototype of a later building spree that created the West End we see today, part and parcel of how for the last two or three hundred years, London has been steadily absorbing those and all the smaller towns around it. Nor is it the only one: many other cities worldwide have sprawled to an enormous footprint many times larger than their original cores.

What's different about modern suburbs -- especially in the U.S. -- is that they're often entirely new construction, along the lines of Covent Garden, with developers creating communities out of whole cloth. Or perhaps I shouldn't say "communities," because that implies a kind of social fabric that rarely exists there. Many of these places get referred to with phrases like "bedroom town," pointing at the way residents are expected to sleep but not really live there. The worst of them have few if any local businesses, so that you have to conduct all your shopping, doctor's visits, and outside entertainments somewhere else.

But to get that kind of suburb, you need something else in the mix: transportation. And that's next week's essay!

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(originally posted at Swan Tower: https://is.gd/4alWQd)

2026/065: Renaissance — E H Lupton

May. 1st, 2026 08:12 am
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2026/065: Renaissance — E H Lupton

“Ulysses?”
When he looked back, Eli said, carefully, “It’s pull the lever, not throw yourself in front of the trolley to save everyone.”
Ulysses exhaled. “It’s a thought experiment, Doc...” [loc. 3320]

Fifth in the 'Wisconsin Gothic' series which began with Dionysus in Wisconsin: in this instalment, Sam and Ulysses are planning a quiet summer, until Read more... )

Metropolitan Police Radio Callsigns

Apr. 30th, 2026 08:19 pm
inferiorwit: (leverage)
[personal profile] inferiorwit posting in [community profile] little_details

Hi, folks!

I'm currently writing crime fiction set in contemporary London, and I'm trying to figure out whether a police officer on the radio would be specifically identifiable to someone listening in.

Does the Met use radio callsigns that are unique to each officer? Or are callsigns assigned to specific beats, instead? Or a secret third thing?

Thanks!

juushika: Drawing of a sleeping orange cat (Default)
[personal profile] juushika
But why? )


Title: Family Matters: Secrecy and Disclosure in the History of Adoption
Author: E. Wayne Carp
Published: Harvard University Press, 1998
Rating: 3 of 5
Page Count: 320
Total Page Count: 569,310
Text Number: 2154
Read Because: as above, borrowed from Open Library
Review: In a sentence: "How many and how quickly adoption professionals embraced the practice of open adoption, however, is impossible to calculate, given the lack of accurate statistics on adoption in America." This is American adoption history, particularly 1900s American adoption history, which means it's pure vibes in both practice and coverage, a pendulum of trends that reflected larger social changes more than adoptee needs, messy in recollection, period sources and Carp's analysis supported by "just trust me bro." Frustrating! But insightful, particularly for the vibes, if you're content with the 1998 cutoff, which I am.


Title: The Private Adoption Handbook: A Step-By-Step Guide to the Legal, Emotional, and Practical Demands of Adopting a Baby
Author: Stanley B. Michelman, Meg F. Schneider, and Antonia van der Meer
Published: Villard Books, 1988
Rating: 1.5 of 5
Page Count: 220
Total Page Count: 569,530
Text Number: 2155
Read Because: as above, borrowed from Open Library
Review: I wanted a period insight into what potential adoptive parents were thinking and facing and doing circa 1988; this is that in all its glory, the ugliness of choosing a child laid bare by every -ism and questionable practice of the period. Sure wish I could give my brain a deep-clean after reading, but I appreciate it as a resource, even if, and I say this emphatically, ew.


Also read the pertinent (adoption-relevant, not how2baby) sections of Our Child: Preparation for Parenting in Adoption: Instructors's Guide by Carol A. Hallenbeck (1984). It's so hard to find (from the comfort of my couch) parenting & adoption guides of this era. Everything's been updated, because, as Carp writes, the conversation around adoption has changed a lot: telling, chosen child, and the basic mechanics of open and closed adoptions... Anyway, a useful, glancing view of where the conversation was in upper middle class Pennsylvania 1984, which probably can't be generalized but which is better than nothing.


Title: The Sicilian Mafia: The Business of Private Protection
Author: Diego Gambetta
Published: Harvard University Press, 1996
Rating: 4 of 5
Page Count: 75 of 345
Total Page Count: 569,605
Text Number: 2156
Read Because: as above
Review: Peaceable DNF at 30%, although I skimmed the next third. I don't actually care about the mafia; I'm reading a couple books about organized crime to understand how structures overlap and differ. This frontloads theory, positing the mafia as a business, specifically supplying protection in an environment of distrust. The rest of the book applies that framework to the Sicilian mafia up until the 1990s. Dry, not interwoven or narrativized, and so not a pleasure read; but for giving me what I wanted upfront and no frills, I appreciate that approach.


Title: Gang Leader for a Day: A Rogue Sociologist Takes to the Streets
Author: Sudhir Venkatesh
Narrator: Reg Rogers, Stephen J. Dubner, Sudhir Venkatesh
Published: HarperAudio, 2008
Rating: 3 of 5
Page Count: 300
Total Page Count: 569,905
Text Number: 2157
Read Because: as above, audiobook borrowed from the Timberland Regional Library
Review: The title is catchy but deceptive; this is about a grad student's hands-on study of the residents of Robert Taylor Homes, a public housing project in Chicago. Successfully narrativized, it reads fluidly and roots investment in the subjects of study as people rather than statistics; and invites judgement and centralizes the unresolved mental gymnastics of being adjunct to questionable practices. The human angle means minimal theory and data, and frankly I could have done with more, but minimal surprises: the how what why of gangs and social networks in the projects is explicable when it's people making do, perhaps to the point of simplification. This is fine—it's readable and got me to look at stuff I hadn't looked at before, so, thanks.


Title: A Fighter's Heart: One Man's Journey Through the World of Fighting
Author: Sam Sheridan
Published: Atlantic Monthly Press, 2007
Rating: 3 of 5
Page Count: 320
Total Page Count: 570,225
Text Number: 2158
Read Because: as above, borrowed from Open Library
Review: People sure are out there living lives. Full disclosure, I skipped all references to dog fighting; I don't need to anger myself. This is strongest when it's most personal, one man's journey through the world of fighting; weakens when it diffuses to become this book, tackling the subject from a diverse perspective, the cast of characters unwieldy and focus scattered, uniting in underwhelming philosophizing on the theme: why fight? It's a by-the-book (ha) resolution to a question more sincerely answered when the answer is less forced. But for what I wanted, a glimpse into the rising arc of MMA, into the interdisciplinary world and the lingo of fighting, I can't complain. I mean, I can, I just did (here's another: a sexism so persistent it's almost quaint), but I still got what I came for.
sockshuppet: A Pidove's head in side view. Its brow is furrowed, eye is closed, and its beak is open. (dead dove)
[personal profile] sockshuppet posting in [community profile] pinchhits
Event: Perished Pidove is a low-minimum Pokemon gift exchange centered around transgressive or dark themes and ships!
Event link: [community profile] perishedpidove
Pinch hit link: Pinch-hits can be found and claimed here!
Due date: May 9, 2026 11:59pm JST (Countdown, Deadline in your timezone)

The minimums are 300 words for fanfiction, a clean sketch on unlined paper or a single color background for fanart, and a combination of both for illustrated fics.

PH 1
ships: Mewtwo/Sakaki | Giovanni, Sakaki | Giovanni/Silver, Silver/Wataru | Lance, Wataru | Lance/Yellow
mediums: Fanart, Fanfic, Illustrated Fic

PH 2
ships: Gou | Goh/Sakuragi-hakase | Professor Cerise, Gou | Goh/Satoshi | Ash Ketchum, Sakaki | Giovanni/Satoshi | Ash Ketchum
mediums: Fanfic, Illustrated Fic


PH 3
ships: Teru | Rei/Volo, Seki | Adaman/Teru | Rei, N | Natural Harmonia Gropius/Touya | Hilbert
mediums: Fanart, Fanfic, Illustrated Fic

SON OF A BITCH

Apr. 30th, 2026 12:10 pm
cupcake_goth: (Vampire Governess)
[personal profile] cupcake_goth
June 2, 20206
NYC

AMC & AMC+ Present: The Vampire Lestat: One Night Only - LIVE

Lights Down. Volume Up. Fangs Out.

On the final stop of the band’s decadent North American tour, The Vampire Lestat transforms the Beacon Theatre into a cathedral of chaos. The night kicks off with the exclusive premiere screening of The Vampire Lestat—your first hit of the myth, the menace, and the music.

Then the one and only Lestat de Lioncourt hits the stage.

In full rock‑god form, Lestat unleashes a live musical performance soaked in swagger, spectacle, and immortal excess. This is part screening, part concert, part temptation—designed to shake the walls and leave the faithful wanting more.

One night. No restraint.

---

This is one of those times that I'm sad I'm not an actual big-name influencer, because you just know some of those types will be flown out for this.
runpunkrun: sunflowers against a blue sky with a huge billowy white cloud (where hydrogen is built into helium)
[personal profile] runpunkrun
And Even, Even if They Take Away the Stove
My Inexhaustible Ode to Joy

I have a stove
similar to a triumphal arch!

They take away my stove
similar to a triumphal arch!!

Give me back my stove
similar to a triumphal arch!!!

They took it away
What remains is
a grey
                naked
                               hole.

And this is enough for me;
grey naked hole
grey naked hole.
greynakedhole.


HOLE )

April Writing and May Plans

Apr. 30th, 2026 11:27 am
osprey_archer: (writing)
[personal profile] osprey_archer
In April, I wrote a piece of flash fiction called “Skysail Jack,” about a young vagabond who likes to hitch rides on zeppelins, with occasionally disastrous results. This was not accepted to Flash Fiction Online but may nonetheless spark a flash fiction series with classic adventure story titles like “Skysail Jack and the Flying Dutchmen.”

I’m also continuing very slow work on my fantasy novelette The Paper Bird. I believe I will complete a draft this month! It’s going to be about 15,000 words, which is an awkward length, but I’m just so pleased that I’m going to have a draft, since I started this story 16 years ago at a time when I was starting (and occasionally finishing) many secondary world fantasy stories. They were all terrible, and I couldn’t understand why. I was so faithfully going through those websites of worldbuilding questions! Reading books about crafting imaginary languages! Carefully creating maps and sprawling family trees!

But I believe that at long last, I may be writing a secondary world fantasy story that is actually good. This is partly because I have grown as a person and a writer, and partly because I’ve finally grasped that I need to leave out like 95% of that beautiful worldbuilding.

I am therefore cautiously considering the possibility that I might be able to write about some of the other secondary world characters who have obstinately refused to die despite ~15 years of neglect. In fact, I tried to describe some of these story ideas in this post, but ran up against the fact that they tend to have characters and a setting but not what you might actually call a “story,” which makes it difficult to describe them in a way that might interest other people.

But good news! The Paper Bird also languished for years with characters and a setting but no story, so I just need to replicate the process whereby I gave it a plot. Unfortunately I don’t know quite how I did it, but no worries! I’m sure I can work it out.

Also, I don’t think that most of these potential stories are very marketable in self-pub, with the possible exception of Innis and Jess (prisoner of war and guy who really didn’t want a pet prisoner of war; obviously they fall in love, obviously their cultures have wildly different views on sex/love/romance/etc), but that is a problem for future me. At the moment it’s just nice to be writing again.

fandom hugs

Apr. 29th, 2026 07:54 pm
sixbeforelunch: text only icon - reads: i need a hug (text - need a hug)
[personal profile] sixbeforelunch
Stargate SG1 x9
Star Trek: The Next Generation x6
Star Trek: Nemesis x2
Star Trek: Picard x1
Star Trek: Deep Space 9 x3
Star Trek: Voyager x3
Star Trek: Lower Decks x5
Star Trek: Prodigy x1
Star Trek cast photos x2
DCU x4

It's been a hard, uh, decade. It's okay if you need a hug ... or 36.

Preview:


*hugs* )
rionaleonhart: goes wrong: unparalleled actor robert grove looks handsomely at the camera. (unappreciated in my own time)
[personal profile] rionaleonhart
I am extremely sorry to everyone for this post.

Here are my thoughts on the masturbation habits of the characters of The Goes Wrong Show.


Surprisingly few of these characters actually masturbate. )


I briefly considered posting this under access lock, but I've decided to make it a public entry because my housemates have a right to see it and laugh at me.

Book Culls

Apr. 29th, 2026 10:05 am
rachelmanija: (Books: old)
[personal profile] rachelmanija
I'm still going through books and discarding ones that don't grab me after a chapter or so. (Lots grab me within one paragraph).


Stir it Up! Ramin Ganeshram



A Trinidadian-American girl wants to be a celebrity chef. It begins with a recipe for "two cups of love, a pinch of sharing," etc. BARF.


Before the Fall, by Noah Hawley



Hawley is a TV writer/creator who did a show I loved (Legion) and a show I liked (Fargo). The premise of this book - a man who, along with the young boy he saves, is the sole survivor of a plane wreck and starts investigating the victims to find out if it wasn't an accident - really appeals to me. Unfortunately, it's written in a style I can only describe as "Middle-aged white dude writes New Yorker fiction." Not for me.



Guns in the Heather, by Lockhart Amerman



In a fast-moving tale of international espionage, Jonathan Flower is lured by a false telegram from the school he is attending in Edinburgh. With his father, he is involved in a grim hunt in which they are stalked by a ruthless band of foreign agents.

The plot sounded fun but was actually kind of tedious. The best part was the author amusing himself with the dialogue. I am recording some for posterity:

Tommy is a fat, jolly sort of character who likes to talk jive with a Glasgow accent. This is purely so he can say stuff like "We dig it, mon, but good."

Her voice and her person both reminded me of the Scots adjective "soncy."
This is purely so she can say stuff like "There's a bit sandwich forby - under yon cover."

"Wullie's awee the dee?" (His accent was what we call in school "pure Morningsayde.")

"We're teddibly soddy, of course. It's so fearfully dismal to be doodly with a gun."


My new band name is Doodly With A Gun.

Books read, late April

Apr. 29th, 2026 07:33 am
mrissa: (Default)
[personal profile] mrissa
 

Posting a bit early because I will be on vacation until it's time to do another one of these, and doing a whole month at once is too daunting.

K.J. Charles, Unfit to Print. Quite short mystery and m/m romance, with intense conversations between the characters about what kinds of pornography are and are not exploitative. Not going to be a favorite but interesting at what it's doing.

Agatha Christie, The Unexpected Guest. Kindle. I've read Agatha Christies before, and this sure is one. Absolutely chock full of loathsome people and not particularly great about disability. Jazz hands.

Peter Frankopan, The Silk Roads: A New History of the World. Kindle. I finished reading this just so I could complain about it accurately. My God what a terrible book. I wonder if I should be skeptical of all "new histories of the world." I suspect so. The thing is that he does such a completely terrible job of actually talking about the Silk Road that this is still largely a book about the British and American empires, but not a detailed accounting of their presence in the region. Partition of India? never met her. Chinese Communist Revolution and Cultural Revolution? how could that possibly matter, probably not worth the time. What. Sir. So many things I would like to know about Central Asia and still do not know, because Frankopan fundamentally does not care. Not at all recommended, I read it so you don't have to.

Alaya Dawn Johnson, Reconstruction: Stories. Kindle. Some really lovely and vividly written stories here. Not all to my taste, but it's rare that a collection is.

Ariel Kaplan, The Kingdom of Almonds. I really just love getting to write "the thrilling conclusion." I really do. Don't start here! This is the third book in its series, it is the thrilling conclusion! Start at the beginning, the beginning is still in print, and this is going to wrap things up nicely but you won't know how nicely if you don't read the whole thing.

E.C.R. Lorac, Death Came Softly and The Case in the Clinic. Kindle. Cromulent and satisfying Golden Age mysteries, with Golden Age assumptions but not as bad as in your average, oh, say...Agatha Christie.

Megan Marshall, Margaret Fuller: An American Life. Kindle. Well-done bio of a fascinating person, lots of what was going on with the Transcendentalists, early American feminism, loads of people you'll want to know about and then Fuller herself trying to fight her way through a system entirely not set up for people even remotely like her. She's part of how that changed, and she died a horrible death fairly early all things considered, and Marshall handles that reasonably as well.

David Thomas Moore, ed., Not So Stories. Kindle. The real stand-out piece for me in this book was Cassandra Khaw's, which opened the volume. What a banger of a story, and how perfectly she nailed the Kipling-but-modern brief. Worth the entire price of admission. (Okay, this was a library book, so my price of admission was free. Still, though.)

Anthony Price, The Hour of the Donkey, The Old Vengeful, and Gunner Kelly. Rereads. I am finding the middle of this series less compelling on reread than the early part. I don't remember the individual late volumes well enough to say whether it just went off a cliff never to return or whether it will bounce back a bit before the end. One of the problems is that I am just not that keen on his WWII stories (The Hour of the Donkey), and he keeps trying to write women and doing it badly. Anthony, apparently you spend all your time with plain women thinking how plain they are, but it turns out that many of them have other things on their mind, and thank God for that. Sigh.

Una L. Silberrad, Princess Puck. Kindle. What a weird title, it's a nickname that one character gives the protagonist and only he uses. This feels like...it feels like it's got the plot of a Victorian novel but even though Queen Victoria has just died five minutes ago, Silberrad can no longer really take some of the Victorian axioms quite seriously. She is very thoroughly an Edwardian at this point, in all the ways that felt modern and challenging at the time, and as much as I love a good Victorian novel, I'm all for it.

Maggie Smith, Good Bones. Kindle. I always feel odd when the best poems in a volume are the ones that got widespread reprinting, but I think that's the case here. And...good? that many people should have seen the best of what's in this? I guess?

D.E. Stevenson, Spring Magic. Kindle. This is such an interesting reminder that during WWII people were still writing upbeat contemporary novels sometimes. A young woman goes and finds a life by herself, away from the crushing control of her aunt, near a military outpost during World War II, and nearly all the other characters are highly involved with the war. But it doesn't have that fraught feeling that books with that plot would have if the war in question was over. We have to be sure that the proper characters will have a quite nice time, because the target readers are in the same situation and would prefer to think more about introducing small children to hermit crabs, figuring out something useful to do, and resolving romantic difficulties than about, hey, did you know that death is imminent? So. Possibly instructive for the present moment in some moods. Not a hugely important book, which is fine, they don't all have to be.

Anthony Trollope, The Eustace Diamonds. Kindle. Dischism is when the author's interiority intrudes on the narrative, and gosh were there several moments when I could see Trollope's own mental state peaking through regarding the titular objects. "She was tired of the Eustace diamonds." "He wished he had never heard of the Eustace diamonds." Shh, it's okay, Anthony, we get it. Because yes, this is not a title tossed off about something that's only peripheral to the story. The Eustace diamonds are absolutely central to the narrative. The thing that's fascinating to me is that the entire plot depends on a sensibility about heirloom and ownership that was as completely foreign to me as if the characters had been going into kemmer and acquiring gender. They are fighting about whether the titular diamonds are properly the property of a toddler or of the mother who has full physical custody of him. And Trollope makes that fight clear! It's just: wow okay what a world and what assumptions.

Darcie Wilde, The Secret of the Lost Pearls. Kindle. This is not the last in this series, but it's the last one I got a chance to read, and honestly I think it's the weakest of the lot. Wilde (Sarah Zettel) still and always has a very readable prose voice, but it felt a bit more scattered to me than the others--so if you're reading this series in order and wonder if it's going downhill, no, it's just that it's quite hard to keep the exact same level for a long series.

Wednesday Reading Meme

Apr. 29th, 2026 08:17 am
osprey_archer: (books)
[personal profile] osprey_archer
What I Just Finished Reading

Michiko Aoyama’s Hot Chocolate on Thursday, which begins with a woman who goes to the cafe every Thursday to have a hot chocolate and write letters. “OMG TWINSIES!” I shrieked. “I also go to the cafe once a week (my day is Saturday) to have a hot chocolate and write letters!”

The book continues its gentle meander from character to character: from the cafe manager to the mother of a kindergartner who often gets a hot chocolate at the cafe, to the kindergartner’s teacher, to the teacher’s supervisor, and so forth and so on, all the way to Sydney where a young artist gets a kiss from what appears to be the spirit of the Royal Botanic Garden. (The book is not exactly fantasy but also not not fantasy.)

Continuing the fantasy theme, I read William Bowen’s Merrimeg, a 1920s children’s fantasy, largely in the nonsense fantasy mode that was so popular at that point. I largely thought it was fluff, but then the final chapter (each chapter is pretty much a short story) featured the nymph who lives behind the waterfall taking Merrimeg on a journey in a glass carriage, asking the driver to stop at “15, 30, and 80,” which turns out to be those years in Merrimeg’s life - and Merrimeg is not merely looking at her life in those years, but actually being that age briefly… I found it unexpectedly moving. So well played, William Bowen.

What I’m Reading Now

I’ve begun Simon Sebag Montefiore’s The Romanovs, having decided that it would behoove me to learn more Russian history pre-1890. So far I’ve pretty much just read the introduction, but already learned that Ivan the Terrible and Boris Godunov were both pre-Romanov tsars. (I must confess to my shame that I previously had the vague impression that Boris Godunov might be fictional, probably because I knew Pushkin wrote a play about him, but this play was clearly in the tradition of Shakespeare’s Henriad rather than his King Lear.)

What I Plan to Read Next

Michiko Aoyama’s The Healing Hippo of Hinode Park.
rionaleonhart: goes wrong: unparalleled actor robert grove looks handsomely at the camera. (unappreciated in my own time)
[personal profile] rionaleonhart
Here are a handful of short Goes Wrong Show ficlets written in response to various requests, mainly on Tumblr! (I put out a call for fic requests, with the caveat that I was likely to make everything Robert-centric.)


Assorted Goes Wrong ficlets, including crossovers with Final Fantasy VIII and Death Note. )


I had a lot of fun writing these! But apparently I cannot be trusted to stick to the actual details of a fic request.
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2026/064: Silent Spring — Rachel Carson

...genetic deterioration through man-made agents is the menace of our time, the last and greatest danger to our civilization. [ch 13]

Published in 1962, this book had a massive impact on the environmental movement -- indeed, may be said to have kickstarted it. Silent Spring inspired the creation of Greenpeace and Friends of the Earth, as well as influencing scientists, naturalists and politicians, from David Attenborough to Al Gore.

Carson relates, in horrific and exhaustive detail, the damages done to the natural world by pesticides such as DDT. Read more... )

Eldergoth Nostalgia

Apr. 28th, 2026 05:01 pm
cupcake_goth: (Default)
[personal profile] cupcake_goth
Or to quote Rasputina, "The scene is never what it used to be".

I had a lovely, wistful sort of dream the other night in which [personal profile] solstice_lilac gave me an old compilation tape she had made long ago. (In the dream) I had a full stereo system with a tape deck that magically produced fantastic-quality audio, and I immediately played the tape. It was 120 minutes of gorgeous ethereal swirly goth music. I woke up with the melancholy realization that 1) I couldn't remember any of the bands on the dream tape, and 2) they probably didn't exist in the real world. 

But oh! It was lovely while the dream lasted. 
rachelmanija: (Books: old)
[personal profile] rachelmanija


This was Robinson's first novel, one of a set of three set in future Orange County, Californias, exploring three different futures for America. The second one is about a future much like the present day, hyper-capitalist and dystopian. The third is set in an ecotopia which apparently involves lots of softball. (I've only read The Wild Shore, and gleaned this information from reviews of the others.) After reading The Ministry of the Future, I thought I'd give Robinson another try, and this book sounded most relevant to my personal interests. (I've attempted Years of Rice and Salt multiple times and never gotten very far in. It sounds so interesting!)

The Wild Shore is set about sixty years after the US was shattered by multiple neutron bombs, then quarantined by the rest of the world. It's now a bunch of extremely small, struggling towns which are kept separated from each other as the rest of the world uses satellite imagery to bomb them any time they attempt to do something like build railroad tracks. The California coast is patrolled by Japanese vessels who prevent them from sailing too far out. No one in the book has any idea who bombed the US or why, but given the quarantine I assume the US started the war and someone else finished it.

The book is narrated by Henry, who is 17 and lives in a village of 60. He hangs out with a bunch of mostly-indistinguishable other teenage boys. (I spent three-quarters of the book thinking Steve and Nicolin were two different boys. They are not. I wish writers wouldn't randomly call characters by their first or last name.) They fish and farm and trade with scavengers. Henry is the prize student of Tom, one of four elders who recall the pre-catastrophe days. It is immediately obvious that Tom's teachings are a mix of real and complete bullshit, but as the younger generation has no context or means of fact-checking, they tend to think it's either all true or all bullshit.

The village gets contacted by the remnants of San Diego, which wants to build a rail line and fight back against the quarantine. Henry gets sucked into this, with disastrous results.

This book is SLOW. I often like books that are mostly about daily life, but Henry's daily life was not that interesting - he spends a lot of time hanging out with boys and talking and thinking about girls and daddy issues, and you can get that in any contemporary novel about teenage boys. The only real character is Tom - everyone else is lightly sketched in at best. Girls and women are only present as girlfriends, potential girlfriends, and moms. (There's one girl who's the leader of the farmers, who are mostly women - the men are mostly fishers - but she doesn't get much to do.) The book was just barely interesting enough that I finished it, but it didn't end anywhere more interesting than the rest of it.

Read more... )

Content note: Characters use racial slurs for Japanese people.

5 Years, 100 Poems

Apr. 28th, 2026 05:47 pm
swan_tower: (*writing)
[personal profile] swan_tower
When I sold my twentieth poem recently, I found myself wondering: how many poems have I written?

Several other questions instantly followed in its wake. How far back am I counting? (All the way to that poetry book we did in second or third grade, that I only remember because my parents found it when they moved?) Do I count failed-but-complete drafts of poems I later wrote very differently? (Or are those the same poem . . .) What about incidental things I've tossed off that don't really feel like they should count, like that senryu about jet lag written while, yes, horrifically jet-lagged? (There are probably things in this category I don't even remember: I keep good records, but not perfect ones.)

I finally decided on three rules:

1) Only poems written since I Began Writing Poetry (with "The Great Undoing") count.
2) Early failed drafts of later poems do not count.
3) To count, I must consider the poem "successful" -- meaning worth either posting online or submitting to markets.

By those metrics, I had ninety. And then I asked myself the last, fatal question:

When did I write "The Great Undoing," anyway?

The answer, my friends, is April 2021.

A mad plan instantly proposed itself. I had eleven days left in April, and I was a mere ("mere") ten poems away from one hundred in five years. (Ish. I've attempted to find out when in April I wrote "The Great Undoing," with no success. I decided the anniversary month was good enough.) Could I get myself to that line before the month was out -- understanding that I needed not only to write ten more poems, but ten I considered successful?

As you can guess from this post, the answer is "yes." In part because I got a sizable boost when I remembered four haiku/senryu I'd written for an exchange last summer, which I'd never done anything with; upon examination, I found they were in fact not bad and I should send them somewhere. But I've written six poems I think are successful in the last week: a rate that would have seemed inconceivable to me just a few years ago, when one a month was about all I could manage. And I didn't go only for low-hanging fruit, either; this includes a garland cinquain, elegiac couplets (a Latin meter English does not play nice with), a fifty-six-line nonce form that rhymes throughout . . .

. . . and a sestina. Specifically, the sestina that has been my white whale since 2007, long before I Began Writing Poetry, when my crit group gently told me that a flash piece I'd written was not very good but yes, my vague thought that maybe it should be a poem? was probably right. I've taken several runs at it over the years, though none in the last five. So of course I decided it needed to be Number One Hundred. (Quoth my sister: "Call Me Ishmarie.")

I finally did it. And so, in celebration, I leave you with Poem #101, with apologies for hopping on a bandwagon only slightly less overloaded than Leonard Cohen's "Hallelujah":

This Is Just to Say

I have written
the poem
that I've failed at
for nineteen years

and which
had become
my
white whale

Actually
it turns out
it wasn't
that hard


(originally posted at Swan Tower: https://is.gd/hhzpX6)

works in progress

Apr. 28th, 2026 09:45 am
runpunkrun: combat boot, pizza, camo pants = punk  (punk rock girl)
[personal profile] runpunkrun

In recent years, I've been on a mission where I pick a worthy WIP out of many volunteers and finish it. So far I've completed:

That covers my entire output of the last five years, with only one absolutely new fic posted during that time, the 15 sentence fake fake dating Star Trek fic Strange New Worlds, Etc. that I wrote for OTW's 15 year anniversary in 2022.

All of these WIPs were abandoned in various stages of doneness. I do this. Not on purpose, but I start a fic and get thousands of words into it and then either get anxious about it (writing can be a trigger for me, though it's gotten better through careful practice) or life gets in the way and I have to stop working on it and then get scared (anxious) to pick it back up again. But past!me's problems are a boon for present me who doesn't have to come up with ideas and has a bunch of notes for all these stories that can either be used or discarded. And because they've sat for a while, undisturbed, I'm able to work on them almost as if it's someone else's writing that I'm improving. I can kill the darlings that need killing and get on with it.

A Hundred Hundred Bolts of Satin was probably more like two stories when I opened it after a long period away from it. The opening part and the rest of it. I had to stitch the two together, and the opening section was just murdering me before I finally, after a lot of work, figured out which parts were important.

stop. motion. was done and betaed, but Joe Flanigan had gotten a divorce (sorry, Joe) while it was sitting on my hard drive and I wanted to work that in, which changed the tone—and purpose—of the story significantly.

New Year Market was done and had even been through two betas. I had some sentences that were annoying me, so I fixed them, and I am as shocked as you are that it took me less than a month to do that.

Condition Zebra was a complete draft, but I'd finished it in 2013 and never looked at it again. (I wrote it and then Emily died, and these two things were not related, but also were.) It needed a lot of polishing, and I had made Rodney too emotionally mature. So I made Rodney a little messy and John, in a move that surprised me, responded by becoming more emotionally mature. It seemed he'd grown up, too, in the twelve years since I'd written it.

Maybe He's Born With It (Maybe It's GlaxosEpsilonYor) was not as done as I thought it was. Instead of being nearly complete, it was only a couple of paragraphs in the file and then several pages of handwritten story. I transfered the handwritten part to the screen, editing all the while, and then did a bunch of writing to finish it and then lots and lots of revising to get Jim's voice right. This was him after the first movie, still a selfish frat bro, but with the capacity to learn from his mistakes, and I didn't want to quash his worst instincts, but it was hard for me to just let him be the (almost) worst version of himself. I had to keep removing the guardrails I built around him. And his literal voice needed to be way more casual. I got there in the end, though, and in the process learned that this Jim didn't like hedging language, no "just" or "almost" or "kind of"; everything's flat out with him, no room for doubt.

The Feast of St. Olaf (my 60th SGA fanwork!!) was basically a complete story when I opened it up in February. It had all the important parts—a title and a last line; there was just some empty space between a joke (which I did not...get? despite having written it??) and the last sentence. So I erased the joke and just started writing from there. I began this fic for the "blades" square on my [community profile] kink_bingo card in 2011, but as I wrote toward the last sentence I had, using it as a guide, the focus of the story changed. It was no longer just about Ronon being good with knives; it became about loss and memory, a much deeper story. So I reworked the rest of it to match, and in the process the knives were no longer what the Kink Bingo mods refer to as the erotic focus of the story, and I didn't feel like I could add this fic to the Kink Bingo collection. (Sadly, because I adore posting G-rated kinkfic to the chat.)

Many of these WIPs went through similar changes as I finished them. Maybe He's Born With It came from a much lighter idea, less loss, more eye shadow. And stop. motion. lacked an emotional core before I worked Joe's divorce into it. So having these stories sit for a bit between their initial drafting and being completed benefited us both, in many ways. Though I'd honestly prefer if I could finish a story in less than ten years, it also lets me see how much I've grown as a writer, even in the last few years.

Next up is my Star Trek RPF from 2016, an extended version of my little Saturday Morning ficlet. As I recall it's completely finished, though the last scene needs some tweaking as I've never been happy with it. It has a title, but I've never been happy with that, either, and I've got a new one that should work. And of course, anything I haven't seen in ten years is going to need a polish as my writing sensibilities have changed somewhat in those years. I've been putting this one off because it's RPF from 2016, set in 2016, and stuff has changed! And I'm worried about it!! But it's not going to get any younger, and as I keep repeating to myself, it was the canon we had at the time. It's not like I could write it any differently today. Though I guess we'll have a chance to see.

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