Feb. 28th, 2013

juushika: A black and white photo of an ink pen (Writing)
Title: The Gift of an Enemy
Author: Sylvia
Published: Everett: Teeny Gozer Production, 1998
Rating: 2 of 5
Page Count: 139 of 278
Total Page Count: 129,810
Text Number: 379
Read Because: fan of The X-Files, available here
Review: Departing canon at 4.9 "Terma," Mulder returns to his apartment to find Krycek there—a goodwill gift from aliens willing to possess Krycek and read and reveal his secrets. With no other choice, Mulder takes Krycek with him to an investigate a new case where a rash of disappearances may be tied to a group of witches. The Gift of an Enemy has the right components, but they never come together as a successful whole. It's psychologically motivated, ascribing both protagonists a slew of reasonable mental health issues but giving them symptoms that stray too far from canon; the romance is similarly motivated and unconvincing, a product of long-repressed desires and conflicted, soul-searching inner monologues—well-intended, but overdrawn and overblown. Mulder's point of view is the failing point: his characterization hits just left of the mark, and while the time spent in his head should be fascinating it instead strips all tension from the text. I wanted to and almost enjoyed this; there's a decent casefile developing and the writing is well-edited if not tight, but The Gift of an Enemy has lost my interest and I won't finish it, nor do I recommend it.

Only moderately embarrassed to treat failed fanfic as a novel but then it was published as a fanzine, so ... so.
juushika: Drawing of a sleeping orange cat (Default)
Title: Blood Oranges
Author: Caítlin R. Kiernan writing as Kathleen Tierney / [livejournal.com profile] greygirlbeast
Published: New York: Roc, 2013
Rating: 4 of 5
Page Count: 253
Total Page Count: 130,063
Text Number: 380
Read Because: fan of the author, purchased new from Powell's Books
Review: Siobhan Quinn is a monster hunter, if you believe the hype—accidentally, incidentally, but at least it allows her to support her heroin habit. But when Quinn is bitten by a werewolf and a vampire in a single evening, she's cured of her addiction—and stranded neck-deep in a whole new world of trouble. Blood Oranges is an utterly successful parody-cum-commentary of the urban fantasy/paranormal romance genre, but not necessarily the book that I wanted to read. Quinn's voice leaps from the page, abrasive and compelling; it drives the book, gritty but not grimdark, humorous without levity, suffused with unscripted energy. Rather than inverting urban fantasy's standard tropes, this cuts through them: a merciless mockery of their limitations that's overlaid with a desire for something as simple as convention. Blood Oranges makes apt use of a pseudonym, because this is a departure for Kiernan: it's fast, hard, and angry, plot-driven, looking outward with an eye for parody. Kiernan is one of my favorite authors; Tierney has a different focus, and it's not one that particularly interests me. Blood Oranges is utterly successful in what it sets out to do, and I recommend it and appreciate it intellectually, but I took no particular enjoyment in the book.

Review posted here on Amazon.com.
juushika: Screen capture of the Farplane from Final Fantasy X: a surreal landscape of waterfalls and flowers. (Anime/Game)
Title: The Virtu (Doctrine of Labyrinths Book 2)
Author: Sarah Monette
Published: New York: Ace Books, 2006
Rating: 5 of 5
Page Count: 439
Total Page Count: 130,502
Text Number: 381
Read Because: continuing the series, borrowed from the Multnomah County Library
Review: A year ago, Felix's magic was used to destroy Mélusine's magical focus the Virtu, and left him mad. Now Felix has been cured, but has no memory of the past year; Mildmay has been left crippled, and the Virtu still stands in ruins—except that Felix intends to repair it. The Virtu is a direct sequel to Mélusine, benefiting from that book's preexisting worldbuilding—still a densely original setting, now less heavyhanded and overwhelming—and building a better-balanced and utterly successful story. Mélusine was Mildmay's book, but The Virtu belongs to Felix, an equally flawed, strongly defined, and powerfully voiced character. This series has a deceptive aura of fanfiction brought on by an intense, psychological focus on complex non-normative relationships—it's id-level writing, tending towards indulgence but too finely wrought, and I love it. The plot can be uneven, coincidence-heavy and occasionally rushed, but these two first books can be read as a complete and satisfying duology—and the character and relationship arcs are consistently superb. It's rewarding to see an author and series improve so distinctly: every strength of Mélusine persists, and The Virtu capitalizes on them to move forward with finer craft and balance. It can't stand alone, but I now recommend the series without caveat and look forward to seeing where it goes from here.

Review posted here on Amazon.com.

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