Jun. 25th, 2016

juushika: A black and white photo of an ink pen (Writing)
Title: Parable of the Talents (Earthseed Book 2)
Author: Octavia E. Butler
Published: New York: Open Road Media, 2012 (1998)
Rating: 3 of 5
Page Count: 420
Total Page Count: 193,090
Text Number: 568
Read Because: continuing the series, ebook borrowed from the Multnomah County Library
Review: Olamina's daughter recounts the troubles faced by Earthseed as it establishes its first community and attempts to begin its journey to the stars. Parable of the Talents feels like the middle book it as meant to be. It's more of the same as Parable of the Sower, but even grimmer, with dystopia-building which grows especially preachy and redundant but, in moments, functions as an apt warning. The narrative structure provides adequate momentum and an interesting external view of the protagonist—but not enough happens, and Earthseed itself doesn't develop significantly until the tail end of the book. This is one of Butler's weakest novels: hardly awful, but still a disappointment. I don't recommend it, but I wish we'd had the chance to read its intended sequel.
juushika: Drawing of a sleeping orange cat (I should have been born a cat)
As a Christmas gift (which I picked up belatedly, since I skipped Christmas) my parents got me tickets for their Ashland trip to see Hamlet, Twelfth Night, and The Wiz. I used to make at least one yearly Shakespeare trip with my family, and miss it fiercely; it was particularly painful to see these plays on their calendar, because they're personal favorites and because we saw them together once when the Shakepeare trip was to the Royal Shakespeare Company in Stratford-upon-Avon. So when they told me I was invited, I actually broke out in tears.

Of course, as the actual trip approached I remembers to be consumed by anxiety, because I'm not good at a lot of uninterrupted public time, especially without Devon with me, so I didn't know how I'd fare in three days company with my parents. But not only did I survive, it was a lovely and storied journey. I'm not going to write about the plays in detail here (that will be in the next post); this is a recap of itinerary, weather, and food.

We left noonish on Tuesday, June 14. It's a ~3h drive. I requested no news coverage in the car, as this was two days after the Orlando shooting and I just could not deal; instead of a few uninterrupted hours of repetition and Islamophobia, my mum put on the Hamilton soundtrack. I was aware of Hamilton and had heard a song or two, but had never listened to the entire thing. It is such a productive, powerful way to spend that time.

We got a divided room at our favorite hotel, which meant one king bed and sofa bed, separated by privacy curtain. For both mental and physical reasons, I'm a troubled sleeper—but the accommodations plus the bedding and hotpad I travel with, and the hours we kept, worked beautifully; I was surprisingly comfortable there. We also kept a two meal/lunch and dinner schedule, which is what I prefer.

Hotel wifi was speedy and stable (!!!); I used VoIP to catch up with Devon every evening (because normal people have cell phones but my particular anxiety means I don't), and that worked beautifully.

Tuesday dinner was Standing Stone Brewing Company. I got nachos; greasy, sometimes chewy chips, which was unfortunate, but the rest was flavorful and had good texture. Huge serving portions. Mixed bag, but, like, upscale tasty nachos, I can't complain about that.

The ongoing problem with eating in Ashland wasn't finding vegetarian options, but finding vegetarian options that had at some point rubbed themselves against a form of protein. I eat significantly more protein than most people, so perhaps this only bothers me—but while vegetarian (and vegan, and gluten-free) options were often exhaustively labeled, the first two were "normal dish with meat removed." I forget how spoiled I am by meat alternatives in Portland and even Corvallis.

Tuesday evening was Hamlet, in the open-air Elizabethan. Rather than raising an American flag, they raised a pride flag to general cheering; it was striking against the gray sky of dusk, and a heartening public gesture. It sprinkled just enough to warrant rain jackets, and got cold enough to demand one more layer than I wore, but neither required modifications to the play. I would rather it be a little chilly than horrible and hot while I'm traveling, I thought! Oh, little did I know.

Wednesday and Thursday brunch was Morning Glory, which is twee (a bit like stepping into a Mary Engelbreit illustration) and crowded and overpriced, and doesn't accept substitutions which is hard for me as a vegetarian/picky eater. On Wednesday I had a fantastic open-faced egg sandwich, but on Thursday I tried an omelet which was overly full, too strongly flavored, and had an awful texture. Mixed bag.

Wednesday afternoon was Twelfth Night in the Angus Bowmer. Afterward, my father and I went to the Q&A with Ted Deasy, who played Malvolio—what a marvelous experience. The volunteer introduced him as one of their favorite actors in the company and said that, after this talk, he would be one of ours too; absolutely correct. He had active, informed insights to his role, the play (esp. how it handled gender), and acting, with some particularly thoughtful anecdotes about how playing two characters in a single season forces those roles to inform one another, often in unique ways. (The particular anecdote about an audience member from a previous Q&A like this one asking, "I saw you in X play and Y play this season; why do you perform both roles the same?" which prompted a season-long bout of self-doubt, do I play these roles the same? why? should I? that lead him to realize what similarities united the roles, and then to be increasingly aware of how the overlap was both strengthening and muddying his performance.) The occasional talk by an actor devolves into them advertising their independent projects, but most are equally as compelling as the plays—and this was one of those.

Wednesday dinner was Caldera. A tip: when possible, eat as early as possible and/or drive outside of downtown; no waiting for a table and less rush. The dishes weren't particularly strongly flavored, but were robust; and one appetizer was a baked avocado, which isn't even that different from a normal avocado except for being warm and with a somewhat deeper flavor, but was still somehow a revelation: I can love avocado even more than I already loved avocado. Desserts, by contrast, were bizarrely strong in flavor.

Wednesday evening was The Wiz in the Elizabethan. Learning from the night before, we had stocked up on extra layers and a blanket. This helped somewhat, but not an awful lot, because it rained. It rained almost torrentially until intermission, and then only sprinkled while growing increasingly cold, "I know I probably won't die of hypothermia in the two hours' traffic of our stage, but I'm a little worried" cold. About two thirds of the audience left, and we toughed it out in part because you don't go to Ashland to bail on a play and in part because the cast enthusiastically toughed it out, too. Half of them wore ponchos, I'm sure some choreography was modified, and the adlibbed responses to the weather were delightful. Certainly an experience! But, as we commiserated after the event, by the time they made it back to the Emerald City we were all three of us thinking, "click your heels, Dorothy, just click your fucking heels."

Anxiety is a strange monster. On one hand, it well prepares me for this sort of thing, because I know to bring my suitcase full of comfort objects and I know to always have a book to read so that I never have unwelcome idle time which is my surefire way to begin panicking (and there's a lot of downtime in car rides/waiting for tables/before plays and during intermission). On the other, it infallibly makes me assume things will be awful, while things are not infallibly awful. It turns out that, given a busy enough schedule that we are either completely occupied or crashing during all available downtime, even I can do things for three solid days without a nervous breakdown.

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