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Title: Trouble and Her Friends
Author: Melissa Scott
Published: Lethe Press, 2014 (1994)
Rating: 3 of 5
Page Count: 380
Total Page Count: 224,650
Text Number: 714
Read Because: co-read with Teja, ebook borrowed from the Multnomah County Library
Review: Three years after their work is officially criminalized, two semi-retired hackers re-enter the field in pursuit of a copycat. Scott works hard to invert established cyberpunk standards, decentralizing and localizing the setting, shifting the focus to queer women, and looking at the intersection of stigmatized bodies and transhumanism; the intent is admirable and occasionally provoking—most successfully, when considering which technologies are standardized on the basis of which groups use them. But too often these concepts are left underexplored. They're buried under a rambling plot and excess of supporting characters, and Scott's image of the future hasn't aged well (less well, even, than older cyberpunk novels): the synesthesic view the protagonists have of online space is evocative but restrained, and the rest of the virtual world is simplistic and too small. I wanted to love this and it disappointed me. But I'm glad that it exists, glad to see the genre pointedly diversified in logical ways; privilege, society, and bodies have always had an important role in cyberpunk; I'd rather Scott bring up the issue and fail to wrap a successful book around it than to not have it come up at all.
(Teja and I had approximately similar reactions, although he was more critical of plot—and rightly so: there's a general sense of disconnect between plot and genre; the brainworm is the means by which they make things happen, but largely feels like a McGuffin, and the opening to tie it into character motivation is spoiled by an inconsistent, uninteresting antagonist—and less interested in the (largely unrealized) potential of queering a cyberpunk narrative. It's weird that a book so actively engaged in writing about its genre has so little follow-through in that regard, but I'm willing to extend a lot of good will on basis of the intent alone. On the other hand, at least that debate—about whether or not it achieves cyberpunk, about whether or not it achieves its aims—is interesting! more interesting than, "ah yes, another vaguely unsuccessful book by a white man." I remain Team Slightly-Diversified-Buddy-Reads.)
( Quote & further thoughts re: marginalized cyberpunk. )
Title: The Other Log of Phileas Fogg
Author: Philip José Farmer
Published: London: Titan Books, 2012 (1973)
Rating: 2 of 5
Page Count: 45 of 305
Total Page Count: 224,695
Text Number: 715
Read Because: cleaning out my bookshelves, used paperback purchased from Corvallis Public Library book sale
Review: DNF at ~10%. The short, punchy chapter length and playful tone means I could finish this if I wanted to; the retelling format is tedious, which means I don't want to. I feel confident about giving this a pass, but it may be worthwhile to readers more invested in the source material or premise.
Title: Stargate
Author: Pauline Gedge
Published: New York: The Dial Press, 1982
Rating: 2 of 5
Page Count: 340
Total Page Count: 225,035
Text Number: 716
Read Because: personal enjoyment, library discard hardback purchased from Corvallis Public Library book sale
Review: After the Worldmaker becomes the Unmaker, a vast family of linked stars and guardian sun-lords fall one by one. This is a loss of innocence narrative on a literally universal scale, a uniquely massive premise with a pervasive sense of inevitability; it strips autonomy from its characters and prohibits investment on the individual level, to its detriment: it's distant, bitter, inaccessible. The imagery is diverse and beautiful, but there's so much that it becomes monotonous. But while this isn't successful, and I don't recommend it, there's a seed of potential within—I've rarely encountered a narrative so stubbornly vast, so willing to refuse the human element and conceivable scale.
Author: Melissa Scott
Published: Lethe Press, 2014 (1994)
Rating: 3 of 5
Page Count: 380
Total Page Count: 224,650
Text Number: 714
Read Because: co-read with Teja, ebook borrowed from the Multnomah County Library
Review: Three years after their work is officially criminalized, two semi-retired hackers re-enter the field in pursuit of a copycat. Scott works hard to invert established cyberpunk standards, decentralizing and localizing the setting, shifting the focus to queer women, and looking at the intersection of stigmatized bodies and transhumanism; the intent is admirable and occasionally provoking—most successfully, when considering which technologies are standardized on the basis of which groups use them. But too often these concepts are left underexplored. They're buried under a rambling plot and excess of supporting characters, and Scott's image of the future hasn't aged well (less well, even, than older cyberpunk novels): the synesthesic view the protagonists have of online space is evocative but restrained, and the rest of the virtual world is simplistic and too small. I wanted to love this and it disappointed me. But I'm glad that it exists, glad to see the genre pointedly diversified in logical ways; privilege, society, and bodies have always had an important role in cyberpunk; I'd rather Scott bring up the issue and fail to wrap a successful book around it than to not have it come up at all.
(Teja and I had approximately similar reactions, although he was more critical of plot—and rightly so: there's a general sense of disconnect between plot and genre; the brainworm is the means by which they make things happen, but largely feels like a McGuffin, and the opening to tie it into character motivation is spoiled by an inconsistent, uninteresting antagonist—and less interested in the (largely unrealized) potential of queering a cyberpunk narrative. It's weird that a book so actively engaged in writing about its genre has so little follow-through in that regard, but I'm willing to extend a lot of good will on basis of the intent alone. On the other hand, at least that debate—about whether or not it achieves cyberpunk, about whether or not it achieves its aims—is interesting! more interesting than, "ah yes, another vaguely unsuccessful book by a white man." I remain Team Slightly-Diversified-Buddy-Reads.)
( Quote & further thoughts re: marginalized cyberpunk. )
Title: The Other Log of Phileas Fogg
Author: Philip José Farmer
Published: London: Titan Books, 2012 (1973)
Rating: 2 of 5
Page Count: 45 of 305
Total Page Count: 224,695
Text Number: 715
Read Because: cleaning out my bookshelves, used paperback purchased from Corvallis Public Library book sale
Review: DNF at ~10%. The short, punchy chapter length and playful tone means I could finish this if I wanted to; the retelling format is tedious, which means I don't want to. I feel confident about giving this a pass, but it may be worthwhile to readers more invested in the source material or premise.
Title: Stargate
Author: Pauline Gedge
Published: New York: The Dial Press, 1982
Rating: 2 of 5
Page Count: 340
Total Page Count: 225,035
Text Number: 716
Read Because: personal enjoyment, library discard hardback purchased from Corvallis Public Library book sale
Review: After the Worldmaker becomes the Unmaker, a vast family of linked stars and guardian sun-lords fall one by one. This is a loss of innocence narrative on a literally universal scale, a uniquely massive premise with a pervasive sense of inevitability; it strips autonomy from its characters and prohibits investment on the individual level, to its detriment: it's distant, bitter, inaccessible. The imagery is diverse and beautiful, but there's so much that it becomes monotonous. But while this isn't successful, and I don't recommend it, there's a seed of potential within—I've rarely encountered a narrative so stubbornly vast, so willing to refuse the human element and conceivable scale.
