Title: Scott's Last Expedition, Volume I
Author: Robert Falcon Scott
Published: 1913
Rating: 4.5 of 5
Page Count: 440
Total Page Count: 533,730
Text Number: 1954
Read Because: y'all we are so far down this rabbit hole I can't see sunlight, ebook via Project Gutenberg but also OpenLibrary has scans! of multiple publications! with all sorts of appendixes and Volume II if you happen to need that for Reasons
Review: Scott's diary as a follow-up to Cherry-Garrard's Worst Journey in the World (which is how I read it) is damned to be unsatisfying, because there are no answers here to lingering questions: Scott does not write of his position, particularly excluding the specificities of (and the crucial logic behind) the orders he gave. (Why five men, Scott. Why??) But what remains is not entirely private: the diary is a potential public document, either directly or in adaptation to travelogue, and as such this is both personal and edited: evocative impressions of daily life and the landscape, a sincere investment in the scientific aims of the expedition, and a fine tension between anxiety, determination, and hope that gives each setback a tragic cast. The polar run and particularly the return journey feel markedly different, aware and despairing of the potential future audience and yet painfully raw.
Author: Robert Falcon Scott
Published: 1913
Rating: 4.5 of 5
Page Count: 440
Total Page Count: 533,730
Text Number: 1954
Read Because: y'all we are so far down this rabbit hole I can't see sunlight, ebook via Project Gutenberg but also OpenLibrary has scans! of multiple publications! with all sorts of appendixes and Volume II if you happen to need that for Reasons
Review: Scott's diary as a follow-up to Cherry-Garrard's Worst Journey in the World (which is how I read it) is damned to be unsatisfying, because there are no answers here to lingering questions: Scott does not write of his position, particularly excluding the specificities of (and the crucial logic behind) the orders he gave. (Why five men, Scott. Why??) But what remains is not entirely private: the diary is a potential public document, either directly or in adaptation to travelogue, and as such this is both personal and edited: evocative impressions of daily life and the landscape, a sincere investment in the scientific aims of the expedition, and a fine tension between anxiety, determination, and hope that gives each setback a tragic cast. The polar run and particularly the return journey feel markedly different, aware and despairing of the potential future audience and yet painfully raw.