juushika

While we're on the subject, I give you the moment that made me go oh, and yes. Not quite my favorite part but one of them, and certainly the moment that pulled me deep in (the moment that my interest turned to love), and an example of what Cunningham does best with this novel.

I believe I know the moment my interest turned to love. One night in early spring Bobby and I were sitting together in my room, listing to the Grateful Dead. It was an ordinary night in my altered life. Bobby passed me the joint, and after I'd accepted it, he withdrew his hand and glanced at a liver-colored mole on the underside of his left wrist. His face registered mild incredulity—in the thirteen years he had known his own body, he had apparently not taken stock of that particular mole, though I had noticed it on any number of occasions, a slightly off-center discoloration riding the fork of a vein. The mole surprised him. I suspect it frightened him a little, to see his own flesh made strange. He touched the mole, curiously, with his right index finger, and his face was nakedly fretful as a baby's. As he worried over that small imperfection, I saw that he inhabited his own flesh as fully and with the same mix of wonder and confusion that I brought to my own. Until then I had believed—though I would never have confessed it, not even to myself—that all others were slightly less real than I; that their lives were a dream composed of scenes and emotions that resembled snapshots: discrete and unambiguous, self-evident, flat. He touched the mole on his wrist with tenderness, and with a certain dread. It was a minute gesture. Seeing it was no more dramatic that seeing somebody check his watch and register surprise at the time. But in that moment Bobby cracked open. I could see him—he was in there. He moved through the world in a chaos of self, fearful and astonished to be here, right here, alive in a pine-paneled bedroom.

Then the moment passed and I was on the other side of something. After that night—a Tuesday—I could not have returned, even if I'd desired it, to a state that did not involve thinking and dreaming of Bobby. I could not help investing his every quality with a heightened sense of the real, nor could I quit wondering, from moment to moment, exactly what it was like to be inside his skin.

—A Home at the End of the World, Michael Cunningham, 47