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Title: The Tower of the Swallow (Witcher Book 6)
Author: Andrzej Sapkowski
Translator: David French
Published: London: Orbit, 2016 (1997)
Rating: 4 of 5
Page Count: 450
Total Page Count: 206,220
Text Number: 610
Read Because: continuing the series, ebook borrowed from the Multnomah County Library
Review: Unusual phenomena usher in an early autumn as Ciri is orphaned from the Rats and sets off on a quest to meet her destiny. The chronology here is all over the place, alternating between the autumn equinox and Saovine as it backtracks to explain the sequence of events. It's also the longest book so far, with a politics-heavy middle section and a huge cast--often confusing as a result, but it's still rewarding to watch the pieces come together. Structure aside, this has a strong atmosphere (a perfect autumn book, haunted and eerie) and gives Ciri generous page time and development. She's as phenomenal as always--here, traumatized, impetuous, but brilliant in her adolescence, foiled by the aged hermit that takes her in. Yennefer's ruthless pursuit of her daughter is equally compelling. (These fantastic female characters doesn't excuse the sexism seeded in the larger worldbuilding.) This isn't the most effective of the Witcher novels, but it's one of the most engaging by virtue its mythic leanings and core cast.


The exception was the witcher Geralt. Because, contrary to his often-proclaimed—and, as you can see, hypocritical—indifferent attitude and his often-declared neutrality, the witcher Geralt displayed equally large and overly-spectacular zeal on the battlefield. In other words: he fought so remarkably well that it was impossible not to notice. And indeed, it did not go unnoticed—Meve, the Queen of Lyria, personally knighted him. However, this accolade soon revealed more inconveniences than advantages.


#aka Geralt and neutrality: a summary especially of the game series #I don't know why Geralt keeps Dandelion around but this is why the narrative does #I love book Geralt so much; the games make him too powerful and cool and competent when what he actually is #is physically vulnerable and not very good at self-knowledge and prickly and full of begrudging ends-of-the-earth love


Title: Dead Mountain: The Untold True Story of the Dyatlov Pass Incident
Author: Donnie Eichar
Published: San Francisco: Chronicle Books, 2013
Rating: 4 of 5
Page Count: 290
Total Page Count: 206,510
Text Number: 611
Read Because: reviewed by ViennaWaitsBooks, ebook borrowed from the Multnomah County Library
Review: An investigation into the Dyatlov Pass incident, in which nine experienced ski hikers died after fleeing their camp--underdressed, in sub-zero temperatures--for unknown reasons. Eichar interweaves three timelines: the original ski hike, the search for the missing hikers, and his own investigations into the case 50 years later; the last of these threatens to overwhelm the book, but the pacing works overall--until Eichar presents his hypothetical solution to the mystery in an unintegrated, abrupt conclusion. But it's a convincing solution, and this researched and humanized without being bogged down by minutiae, and unsensationalized while maintaining an eerie atmosphere. It has the compulsive readability I look for in this variety of nonfiction, despite Eichar's clunky writing, and is satisfying both in question and answer.


Title: The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland Book 3)
Author: Catherynne M. Valente
Illustrator: Ana Juan
Published: New York: Feiwel & Friends, 2013
Rating: 4 of 5
Page Count: 250
Total Page Count: 206,760
Text Number: 612
Read Because: continuing the series, hardcover from my personal library (originally a holiday gift from my parents, I think)
Review: September journeys to Fairyland's moon, there to rediscover her traveling companions and face a Yeti. The framework of this series has begun to weary me, despite that this book has a stronger structure than the second; Valente's writing is as rich as always, but the one-off locations and speaking characters still bleed together. (And there are weird stumbles like characters popping in and out of scenes--perhaps corrected in later editions?) But while I don't think the rest of this series is as independently successful as the first book, the cumulative emotional elements have stolen my heart. They're perfectly balanced between private complexity and explicit, cathartic address; it almost feels too complicated for the intended audience, but in a way I admire--respecting the capacity of younger readers and being willing to age with them.

September suddenly realized something. "But Ell, Orrery begins with O! How can you know so much about it?"

The Wyverary soared high, his neck stretching into a long red ribbon, full of words and pies and relief and flying.

"I'm growing up!" he cried.

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